Edo Noah reportedly commissioned the construction of a large wooden vessel, in response to a ‘divine message’ that revealed to him the ending of the world on December 25th 2025. The prophet described it as a modern replication of Noah’s Ark, inspired by the biblical account of the great flood.

Images and videos of the structure circulated widely online, showing a boat-like build that Noah claimed would serve as a place of refuge for those who heed his warning. The project sparked debate across social media, with supporters framing it as an act of faith, while critics point to the long history of failed apocalyptic predictions and the lack of evidence supporting such claims. Several Christian leaders have also reiterated that scripture does not endorse the idea that any individual can predict the exact end of the world.

Recently, Edo Noah has drawn attention for appearing at a concert by Ghanaian rap star Sarkodie — held on the same day he had prophesied the end of the world. Videos from the Christmas Day event show Noah on stage, dressed distinctively and engaging with the crowd, a moment that quickly went viral across social media platforms. His presence at the concert surprised many, given the significance of the date in his apocalyptic prediction and his religious positioning.

Some online commentators interpreted Noah’s presence as contradictory, questioning why someone predicting the destructive end of the world would attend a large entertainment event. Others suggested it was a deliberate attempt to reach younger audiences and expand his influence beyond traditional religious spaces. Supporters argued that being present at such events aligns with evangelism in modern contexts, where visibility and digital circulation play a central role in shaping public discourse.

The concert appearance has since become a key part of the conversation around Edo Noah, reinforcing how his identity now exists at the intersection of religion, celebrity culture and online virality.

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